Main Page

Older Entries

Email me

Get Your Own

Talk to me on AIM at:

INDEEDDonMann

Obey The D

Past Entries at a Glance

I've come crawling back to myself... - Sunday, Feb. 28, 2010
The offspring of stars... - Wednesday, Nov. 29, 2006
Seasonal Introspection... - Sunday, October 29, 2006
You are NOT bringing sexy back... - Thursday, November 02, 2006
High School gets SWAT-ed - Thursday, November 03, 2006

Don Mann: Focusing on my Craft

Sunday, Sept. 12, 2004 - 6:04 p.m.

INDEED Don Mann: my god, I love classical music

INDEED Don Mann: it's so ingenious

tambourineintime: it was the first created it seems

tambourineintime: everyone was gooving to that shit./

tambourineintime: grooving

INDEED Don Mann: back then, people conveyed emotion and meaning without words, or if they used words, they were vague and the voice was used as an instrument

INDEED Don Mann: not as fucking text, like it is nowadays

tambourineintime: that is true

tambourineintime: passionate.

INDEED Don Mann: so much focus on conveying emotion through melody and harmony, rather than belting the listener in the face with lyrics

tambourineintime: you have an ear for music

INDEED Don Mann: I could never enjoy or even take rap seriously now having heard what people can do without words

INDEED Don Mann: rap should have stayed on paper, because its making all of my contemporaries more ignorant of emotion and beauty by making itself TOO goddamn obvious

INDEED Don Mann: I'll no longer tolerate singers who do not recognize their voices as instruments

INDEED Don Mann: rather than just...spoken text

INDEED Don Mann: I'm going to begin composing music based entirely on classical form and theory.

tambourineintime: I don't lijek just beats.

tambourineintime: making beats

INDEED Don Mann: ugh BEATS

INDEED Don Mann: percussion was used symbolically in these orchestras...

INDEED Don Mann: rythm was in the musician

tambourineintime: i like tempo changes

tambourineintime: it really give emotion in music

INDEED Don Mann: what better way to involve yourself deeper into the music than concentrating entirely on the notes and rythm you play, the tempo coming from within, not a stolid, stagnant, repetitive beat.

INDEED Don Mann: Operas sung entirely without any sort of exposed rythm...orchestra choirs full of voices following the rythm of the music, not the rythm of a constant BEAT

INDEED Don Mann: it bothers me so much how many will never appreciate any of that before they die

INDEED Don Mann: it bother me more how few will even bother to attempt to comprehend it

tambourineintime: it's becuase it's not as common anymore

INDEED Don Mann: but WHY!?

INDEED Don Mann: you know? It's sick.

tambourineintime: no one listens to music that only gets the right side of your brian working

tambourineintime: music with words doesn't phase you artistically

INDEED Don Mann: well, both sides of the brain can be used to interpret any sort of stimuli...

tambourineintime: adn the reason that classical can go on for so long is beucase the right side of brian

tambourineintime: poeople think that a 30 minuteballad is only about 4 minutes

INDEED Don Mann: I mean, the right side is all "big picture" and philosophical

tambourineintime: music with lyrics doesn't last as ling

INDEED Don Mann: the left is facts...

INDEED Don Mann: modern music hurls facts at us.

INDEED Don Mann: one must induce stimuli from within to try and see it with the right brain

INDEED Don Mann: and yet no one bothers to try, because the person who created the modern music didn't care if they did or not anyways

INDEED Don Mann: If you throw enough facts at someone, they're bound to relate to them

INDEED Don Mann: sad stories of breakup or child abuse ALL OVER the goddamn radio trying to play a sympathy card with people's left brains

INDEED Don Mann: trying to seduce them with "my god, someone else knows how I feel"

INDEED Don Mann: when half the writers have put no emotion or work into what they've done.

tambourineintime: that's true

INDEED Don Mann: Lately I've been a flood of emotion, constructive and destructive, and I've been channeling it into raw craft and creation. I've written about 20 poems and 2 stories, and composed 6 songs in the last week.

INDEED Don Mann: now I'm working on a full-scale opera

tambourineintime: you should put them all toghether

INDEED Don Mann: I don't know. Sometimes I feel segregation can bring focus onto a single object.

tambourineintime: why do you think that?

INDEED Don Mann: keeping them apart will allow them to strike their respective aims, whereas composing them together may muddle each's impact.

INDEED Don Mann: for instance

INDEED Don Mann: picture an art gallery

INDEED Don Mann: a single wall with 30 paintings on it

INDEED Don Mann: the opposite wall...with only one.

INDEED Don Mann: which do you think will have a greater impact, of all the paintings?

INDEED Don Mann: one of the ones in the bunch of 30

INDEED Don Mann: or the lone one

tambourineintime: the lone one

tambourineintime: that's the focal point

INDEED Don Mann: exactly.

INDEED Don Mann: All my work I intend, if released, to release so that what I want is focused upon, with as little filler or waste as possible

INDEED Don Mann: It's like a band who releases an album of crap with a single hit on it...I hate that.

INDEED Don Mann: or they give their all to one song, and the rest is garbage.

INDEED Don Mann: I want all I create to be equivaluable

tambourineintime: I feel with art work

tambourineintime: everything I create is crap

tambourineintime: and I never finish

tambourineintime: much

tambourineintime: but what I do finish.. I haveto give it away for eesle I will think it is trash

tambourineintime: and throw it out

INDEED Don Mann: perhaps not enough of yourself is in what you are creating

tambourineintime: that could be it

INDEED Don Mann: or what you've put in, of yourself, you don't like.

INDEED Don Mann: I used to do the same with my writing

INDEED Don Mann: I'd throw it away, claiming I hated it afterward

INDEED Don Mann: half of that was because I couldn't convey what I wanted to

tambourineintime: yea.

INDEED Don Mann: the other half, because I hated myself, and any product of me was hated as well.

tambourineintime: I feel that way

tambourineintime: I don't have anyone art that I like best

tambourineintime: I do it all

tambourineintime: but still. I feel that most of it is terrible

INDEED Don Mann: Music and writing I enjoy most now, because I don't have the skill to render what I want with my hands graphically.

INDEED Don Mann: I don't know the technique, though I grasp the concepts.

tambourineintime: I am just now getting an eye for art

INDEED Don Mann: I'm trying to learn to appreciate it more now...find emotion in it.

tambourineintime: I am probably just going to give up

INDEED Don Mann: what would the advantage of that be?

tambourineintime: not stressing about it

tambourineintime: it's difficult to go from artist .. to .. nothng

tambourineintime: i guess

tambourineintime: the transition would be weird.

tambourineintime: it would be like.. learning how not to read.

INDEED Don Mann: Why don't you just avoid stressing about it, instead of avoiding it entirely?

tambourineintime: for me those things come together

tambourineintime: art is a release but it can stress me out

INDEED Don Mann: hmm

INDEED Don Mann: I don't know...most things that I do as a release at most just tire me.

INDEED Don Mann: I can't really relate to being stressed at my craft

Delve Into The Past - Onward Into The Future

What do YOU think? Add a comment.